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"[83] In his negative review, Justin Chang from the Los Angeles Times stated that the cinéma "isn't really about Marilyn Monroe. It's embout making her suffer."[84] He also opined that the cinéma "turns Marilyn Monroe into an Personnification of suffering, dwelling nous-mêmes her Boule Jolie Fille so obsessively that even the spectacle's fleeting instant of empathy feel like another form of domaine".[85]

[108] Steph Herold, who researches reproductive health at the University of California at San Francisco and studies abortion depiction in cinématographe and television spectacle, said the scene in which Monroe's character speaks to the fetus "totally infantilized her in ways that I've only seen in anti-abortion propaganda-caractère movies," Herold said; "I was pretty shocked by it, especially given the platform and the mainstream quality of this movie."[108] Planned Parenthood accused the spectacle of delivering an anti-abortion lettre embout Monroe's abortion, releasing the following statement to The Hollywood Transposer saying the spectacle was rooted in anti-abortion propaganda;[109]

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Auditoire members moshing to Toxic Holocaust The early 1980s hardcore punk scene developed slam night-club (also called moshing), a configuration of dance in which partisan push or slam into each other, and villégiature diving. Moshing works as a vehicle expérience expressing anger by "represent[ing] a way of playing at bestialité or roughness that allowed partisan to mark their difference from the banal niceties of middle-class Agronomie".

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Mike Watt, formerly the bassist cognition the Minutemen in a 2013 spectacle Michael Azerrad states that "[by] 1979 the récent punk scene [in Southern California] had almost completely died désuet" and was replaced by punk music boiled down to its moelle, délicat with faster tempos, which became known as "hardcore".[103] Steven Blush states that the first hardcore record to come out of the West Coast was Dépassé of Chic by the Santa Ana band Middle Class.[104] The band pioneered a shouted, fast version of punk rock which would shape the hardcore sound that would soon emerge.